Absolutely. Maybe Chapter I won’t be that relevant to you, but Chapter II and especially Chapter III will offer a lot of valuable insights. You can also check the FAQ about the chapters for more details.

I don’t know why you should or shouldn’t — that’s totally up to you. 😄

If you want to get a sense of my musical background, feel free to check out my music (also on my second music channel on YT) and my YouTube videos, where I openly show my skills.

That being said, there are many people out there who know more than I do, and even though I studied this, I’m still learning and growing myself. But I believe that shouldn’t stop anyone from sharing what they’ve learned - because no matter where you are on your journey, there’s always something valuable to pass on, and something new to discover.

In the end, it’s completely your choice whether you want me as your course guide. 🙂

Once the prices and release date are announced, the course length will be published as well. However, for me, the real value of a course isn’t about the number of hours but the quality of the content and how if it helps you achieve the course’s goal. That’s why I can’t and won’t predict the exact duration yet.

No, signing up for the waitlist does not create any kind of purchase obligation. It simply helps me estimate how many people are interested in the course. That’s all — no strings attached.

No, the waitlist is completely separate from my newsletter. I’ll only use it to notify you when this course - or future courses - are released. That’s it.

I just started working on Chapter II in September 2025. This chapter is especially important to me because it focuses on cinematic orchestral composition, which I know many of you are excited about. I want to get it right, so I’m taking my time.

Absolutely. You can work with any DAW. However, I personally highly recommend Cubase because, in my experience, it’s simply the best option when it comes to orchestral programming. Also you can use my project files and templates this way. I’m currently in talks with Steinberg to see if we can create a special offer for Cubase users, similar to what I’ve arranged with VSL.

I’m not ready to share the exact prices yet — but I do want to keep things as affordable as possible. When I was starting out, I would have never been able (or willing) to spend hundreds of dollars on a course, and I keep that in mind.

I’ll try to find a fair balance between your budget and the huge amount of work going into this course. What I can say for now is this:

• Chapter I will most definitely be below $100.

• Chapter II will also be below $100 for early-bird buyers.

That’s all I can reveal for now 😉

Please note: this is not a legally binding statement — final prices may vary.

Yes — I plan to offer regional discounts, but I’ll share the details later. Please note, though, that the early-bird price will be the lowest price the course will ever have.

Yes. The early-bird price will never be offered again.

Yes. The early-bird price however will never be offered again.

Yes — there’s a 7-day money-back guarantee. That said, this course represents a lot of work for me, so I kindly ask that you only request a refund if you’re genuinely not satisfied. If that’s the case, just contact me within seven days, and I’ll refund you.

You’ll qualify after the 7-day money-back period has passed.
Please note: the VSL student discount only applies if you purchase Chapter II or the full course bundle. It does not apply to a beginners guide for home studio (chapter I).

The EDU status is granted for one year.